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Contained in the Sydney Opera Home: ABC TV collection reveals the quirks and wonders of Jørn Utzon’s iconic Australian landmark


In the event you shut your eyes and suppose “Sydney”, the white-tiled sails of the Sydney Opera Home are in all probability among the many first photos that spring to thoughts.

They’ve grow to be iconic not simply of the nation’s most populous metropolis however, for a lot of, are additionally synonymous with Australia itself.

The World Heritage-listed constructing has been the positioning of tens of hundreds of occasions in its near-50-year historical past — upwards of 38,000 have been staged within the final twenty years alone.

With near 11 million guests to the Sydney Opera Home every year, odds are you’ve got additionally ventured inside its well-known sails.

Nevertheless, most people has hardly ever been invited behind the scenes — till now.

A brand new, three-part ABC TV collection, Inside The Sydney Opera Home, takes a have a look at how productions are staged and the interior workings of the constructing, from the just lately accomplished multimillion-dollar refurbishment to its hidden, underwater workshop.

As the positioning of many milestones and public controversies within the nation’s historical past, the opera home is a treasure trove of tales, however the collection lifts the curtain on a few of its lesser-known info.

Listed here are 5 issues you might not know concerning the Sydney Opera Home.

1. Greater than 1 million tiles are checked by hand

A tessellating pattern of two tiles. One is a rhombus shape with a matte finish and the other is diamond with a gloss finish.
In his Design Ideas, Utzon stated: “It can be crucial that such a big, white sculpture within the harbour setting catches and mirrors the sky.”(Equipped: Sydney Opera Home)

The sails of the opera home cowl an space of round 1.62 hectares and are adorned by greater than 1 million shimmering, white tiles: 1,056,006 to be exact.

Each 5 years, these tiles should be individually hand-checked by a staff of six engineers and abseilers, led by constructing operations supervisor Dean Jakubowski.

“The Sydney Opera Home must be one of the necessary buildings on this planet. It deserves the care and the quantity of upkeep we put into it,” Jakubowski tells ABC Arts.

It takes round half-hour for Jakubowski’s staff to make the 22-storey ascent to the highest to examine the tiles.

“We mainly go over the facet, begin on the high and make our approach down and faucet each single tile,” he says.

“We’ve got a mannequin of the constructing and we document each single tile’s situation in order that, if any repairs are required, we will simply return to that location.”


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